I enjoy creating intimate landscapes immensely, those small scenes that comprise found objects and arrangements. The better the end product however, the more likely it is to precipitate the range of questions to do with asking or suggesting that the items had been placed or rearranged. The questions range from pure inquisitiveness to peevishness and those that are no less than accusatory and derogatory by implication.
I’m going to echo an introduction that I’ve used before. This isn’t a review of a book it is a response to it. It may only be semantics but review seems to suggest a level of judgement that I don’t feel qualified to claim. A creative work is produced with a ‘message’. That message isn’t always the one that is received by the audience. This is my response and may not be the message that was intended.
I remember the first time I saw photographs of mountaineers in the Himalaya using ski sticks to aid walking. Jump forward 30 odd years and we now see them being used to aid walking along the streets in Lake District towns. They have become an almost essential ingredient in the ‘fashionable walking holiday wardrobe’.
A number of posts on Twitter this week have set me thinking. There are many ways in which we as landscape photographers may choose to describe our work.
Vallerret are a young Norwegian company trying to conquer a niche market. Their core product is an insulated glove with up to two fingertips that can be slipped back to allow fingertips to more easily operate camera controls. There are two gloves and one mitt in the range along with some inners. Refreshingly they offer a women’s specific glove but sadly not alternatives to every model. In every case the hinged fingertip can be secured out of the way by use of sewn in magnets.
Nikon Z7 Review I’ve owned this camera for a week now, supplied with excellent customer care by www.fixationuk.com While I’ve no claim to be a super user nor have any overly technical insight, I do have a week’s worth of getting to know this new camera in situations that are common to most landscape photographers working in our typical wet, windy conditions. (I’m also keen to point out that I’m not trying to demonstrate mastery nor make any statements about my own competence. I’m simply trying to share experience in the hope that someone else may gain from it.)
I hate being an early adopter. I never buy stuff on the first day. I resent being an unpaid beta tester. I’d much rather wait until the teething problems have been sorted. Until now…. My Nikon Z7 arrived this morning. Without wishing to rehash my leaving Fuji post, I’ve just sold all my Fuji kit and invested in Nikon’s brand new full frame mirrorless offering. I’m looking forward to getting to know this camera. There are already issues of course, as I realised there would be from the very outset. Jumping early always involves some pain, my intent is to get that pain out of the way as quickly as possible.
I have a bit of a mantra that I trot out on 1:1 ‘s or in conversations, debates etc. I’m happy to share a perspective and share my approach. I’m never an advocate of expressing a view that this or that is the ‘right way’ or ‘best way’ of approaching any aspect of what we do. A little non harmful anarchy can be a good thing. I’m not an evangelist for any approach, philosophy, technique or piece of equipment. The only situation where I’ll take a firm stance is on an approach to avoiding damaging the very beauty we come to look at or photograph.
It’s so long Fuji and thanks for all the fish. (Google if not Douglas Adams fan). It’s been a pretty happy 6 years with Fuji since my original X-Pro1 arrived. I thought the original concept was brilliant and they sustained that throughout. I’ve been impressed with the cameras, the lenses and immensely appreciative of the regular firmware updates.
I recently received two boxes of paper sent by Fotospeed for me to try and then review. Given the vagaries of colour perception, lighting, compression and variations in monitors ( not to mention different printer outputs) , it seems pointless to waste time and space showing heavily compressed jpegs that concentrate on colour reproduction. I plan therefore to concentrate on other properties of these papers.
Fuji are one of the few camera makes who do just occasionally give the impression that they are prepared to react to customers’ wishes. I thought I’d offer my wishlist in the full knowledge that it will have zero effect. It does however provide a context in which I can focus my own thoughts. First please note the title is ‘Wishlist’ not ‘Which items should Fuji produce which will be the most successful and bring the most financial gain….’.
Which lenses for Venice? This is a question that is often asked and even more frequently ruminated upon by those heading off to Venice for the first time. Experience generally informs subsequent trips but only if honest reflection is undertaken and heads lead rather than hearts.
Breakthrough X4 77mm ND Filter Review – Part One. There’s more to life than looks of course but it is difficult to avoid forming a first impression. From the moment I opened the box, this filter created two impressions. It looked like a high end piece of engineering and it stood apart from the crowd. Such an attention to detail by a manufacturer sends an instant message. ‘We know what we’re doing and we believe it is important to do it right’.
I hope the length of this piece doesn’t imply it is anything more than it is. In the same way that language enables thinking, for me, writing enables me to organise my thoughts. I’ve just been having a bit of a think, nothing more. Two major outcomes have emerged in the past 20 years for Landscape Photography, largely I would suggest, as a direct result of the emergence of the internet, the growth of Social Media and the advent of Digital Photography. There has been a dramatic increase in the number of people enjoying the process of making Landscape (as opposed to holiday) Images. It has become substantially easier to discover locations in which such images can be made.