Nikon Z7 Review I’ve owned this camera for a week now, supplied with excellent customer care by www.fixationuk.com While I’ve no claim to be a super user nor have any overly technical insight, I do have a week’s worth of getting to know this new camera in situations that are common to most landscape photographers working in our typical wet, windy conditions. (I’m also keen to point out that I’m not trying to demonstrate mastery nor make any statements about my own competence. I’m simply trying to share experience in the hope that someone else may gain from it.)
I hate being an early adopter. I never buy stuff on the first day. I resent being an unpaid beta tester. I’d much rather wait until the teething problems have been sorted. Until now…. My Nikon Z7 arrived this morning. Without wishing to rehash my leaving Fuji post, I’ve just sold all my Fuji kit and invested in Nikon’s brand new full frame mirrorless offering. I’m looking forward to getting to know this camera. There are already issues of course, as I realised there would be from the very outset. Jumping early always involves some pain, my intent is to get that pain out of the way as quickly as possible.
I have a bit of a mantra that I trot out on 1:1 ‘s or in conversations, debates etc. I’m happy to share a perspective and share my approach. I’m never an advocate of expressing a view that this or that is the ‘right way’ or ‘best way’ of approaching any aspect of what we do. A little non harmful anarchy can be a good thing. I’m not an evangelist for any approach, philosophy, technique or piece of equipment. The only situation where I’ll take a firm stance is on an approach to avoiding damaging the very beauty we come to look at or photograph.
It’s so long Fuji and thanks for all the fish. (Google if not Douglas Adams fan). It’s been a pretty happy 6 years with Fuji since my original X-Pro1 arrived. I thought the original concept was brilliant and they sustained that throughout. I’ve been impressed with the cameras, the lenses and immensely appreciative of the regular firmware updates.
I recently received two boxes of paper sent by Fotospeed for me to try and then review. Given the vagaries of colour perception, lighting, compression and variations in monitors ( not to mention different printer outputs) , it seems pointless to waste time and space showing heavily compressed jpegs that concentrate on colour reproduction. I plan therefore to concentrate on other properties of these papers.
Fuji are one of the few camera makes who do just occasionally give the impression that they are prepared to react to customers’ wishes. I thought I’d offer my wishlist in the full knowledge that it will have zero effect. It does however provide a context in which I can focus my own thoughts. First please note the title is ‘Wishlist’ not ‘Which items should Fuji produce which will be the most successful and bring the most financial gain….’.
Which lenses for Venice? This is a question that is often asked and even more frequently ruminated upon by those heading off to Venice for the first time. Experience generally informs subsequent trips but only if honest reflection is undertaken and heads lead rather than hearts.
Breakthrough X4 77mm ND Filter Review – Part One. There’s more to life than looks of course but it is difficult to avoid forming a first impression. From the moment I opened the box, this filter created two impressions. It looked like a high end piece of engineering and it stood apart from the crowd. Such an attention to detail by a manufacturer sends an instant message. ‘We know what we’re doing and we believe it is important to do it right’.
I hope the length of this piece doesn’t imply it is anything more than it is. In the same way that language enables thinking, for me, writing enables me to organise my thoughts. I’ve just been having a bit of a think, nothing more. Two major outcomes have emerged in the past 20 years for Landscape Photography, largely I would suggest, as a direct result of the emergence of the internet, the growth of Social Media and the advent of Digital Photography. There has been a dramatic increase in the number of people enjoying the process of making Landscape (as opposed to holiday) Images. It has become substantially easier to discover locations in which such images can be made.
Today was another day devoted mainly to the 24mm PC-e lens. I set off for one of my very favourite places, Deepdale. This is a lonely valley accessed from the road to Patterdale. Despite easy access, very few people make their way there in comparison with the standard Lakes honey pots. In 7 hours I only saw one walker heading up the valley. This provided an interruption and distraction free time in which to develop greater experience with this challenging lens.
Aiguille Alpine Stratus Review I have a number of specialised photo rucksacks from the American company F-Stop. As a way of transporting camera equipment when that is the prime intention they are unparallelled in my opinion. However when spending time in the high fells during winter, their ability to carry other necessary equipment leaves something to be desired. Under these circumstances I have tended to use a specialist hill sack and fit a modest amount of camera equipment in.
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Perhaps I’m the last human on the planet to discover this, but if not…. The Met (Metropolitan Museum of Art) have a free copy in pdf form of Eliot Porter’s wonderful photographs ‘Intimate Landscapes’